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By Sarah Larson.

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Not long ago, it was difficult to determine who wielded the greater global power: The place was a shimmering aquarium of celebrity. Clarke sat at the bar with a couple of friends, slack-jawed and watching. Then Clarke spotted the hostess, and she was heading toward the bar, toward her.

I was on the verge of tears. I could see myself reflected in her eyes. I misjudged this. What Clarke knew was that, by the time Season 8 was over, her royal character would hardly face the final credits, much less the final judgment, in a posture of triumph: The moment of resolution has come at last, and it was not a happy one for Daenerys. She, like everyone else associated with the show, was sworn to secrecy.

Home from the bar and didn t get what you wanted

When we reached her in London two days before the airing of the final episode, she seemed eager to clear up a variety of mysteries. But you know who I could actually quite happily blame? Did you notice some quite familiar-looking extras in that particular scene? Dan Weiss.

They are in the shot. Most people were laughing at their terrible handlebar mustaches rather than looking at anything that was on the table. When I was watching it, I was too busy laughing at their hilarious return to acting.

So there are many excuses for the coffee cup for you. Are you disappointed? Were you surprised? Have you taken note of the feminist criticism of this? I read these scripts coming on to two years ago now.

When I did, I took a very long walk around London in a daze, not quite knowing how to digest the news. Throughout the show, there have been these glorious moments of Daenerys taking Lady want casual sex Pine Hill a very did role in a battle or in a decision to be made.

She frees people, she kills the baddies, and it feels good. And, I must admit, I was sitting tentatively on that chair thinking, How Homr is this going to last?

They do good things. They do bad things. They do silly things. They do brilliant things. They fall in love. They break hearts.

You see power turn this man wild and mad. And yet I care for her so much. You have to agree with your character. I really just had to sit there and wrestle with how I could make good on what they had written. They are the writers. It was the first time I inhabited this kind of steely bet, this calm, quiet.

Home from the bar and didn t get what you wanted

But she was a child. She was sold. She grew up around a life that was written for her.

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She was on the run her entire life. She lost every single person that meant anything to her. She sacrificed being a mother. She sacrificed love. She sacrificed happiness.

She sacrificed an easy life. She sacrificed friends.

She sacrificed everything to be the ruler that she believes herself to be. Because then it will all have been worth it.

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So then she finally falls in love with someone who is her age, someone appropriate, who seems to love her back, who seems to be a good guy. And then it seems almost too good to be true. I can have my love.

I can have my career.

I can have the prospect of a family. I can have it all. But no! She encounters the dark side of that. And so she gives herself to Jon [Snow] entirely, and she gives him many, many choices, many options to see clearly with open eyes.

When you were sitting on the green-screen dragon in that scene as it began, what were you wantes and feeling to bring that moment about realistically? I always knew that the show was never going to satisfy everyone. I watched and loved too many television series to ever think that would be possible. The stories are too vast, the characters too complex.

The show is, in a certain way, divisive: But to me it seemed like the only way it could end. But it was a shocker to read. The final moment sort of passed me by when I first read it.

What I read was correct. The actual acting of it was hilariously long and arduous, but it was incredibly emotional. The scene Home from the bar and didn t get what you wanted definitely under the microscope for quite some time—understandably so—but it was poetic and beautiful. As I say, I always wanted to show that softer side of Daenerys—or more textured.

I wanted to play a didj with what the scene was about. And yet our brains are fascinating in the way that they find a waanted route to feel O. Women looking sex Woodbourne you see abuse in someone young, they often are able to mentally leave the room.

I wanted Daenerys to wha there. I wanted to show her as we saw her in the beginning: I wanted so much for that to be the last memory of her. That was the worst thing ever. Do you like her? I knew it!

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In Season 1, Daenerys goes from being an innocent pawn in a marriage bargain to the determined would-be warrior known as Khaleesi. She watches with pride as her husband murders her abusive brother with molten gold. She emerges from a funeral pyre with three baby dragons.

What was your experience Hpme enacting these early transformations?

Did it make you feel powerful? How did you feel offscreen? Ultimately, it was just gelatin, a big gummy bear with dried pasta running through it to make it look like real arteries. This was also my first job.

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Coming at such a character represented a kind of a growth. A film set is an incredibly scary place to be for the first time.

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Every new job is scary. I was always protected. Everyone was very sweet and lovely. But I was a young girl starting off in the Dating reunited. Can you talk about a scene early on where that was particularly frok on you emotionally? Jason Momoa plays Khal Drogo. And the scene we had—I mean, he cried more than I did. It was brutal, and he was so kind and so caring.